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Edgar Breau, the legendary Hamilton-based artist and founder of cult 70’s psych/proto-punk band Simply Saucer, returns with a brand-new single, “Cornpone the King of Jive.” This track merges the gritty charm of southern-fried rock with the bite of Breau’s literary and musical influences, resulting in a rollicking yet darkly humorous commentary on populist leaders, lovable outlaws, and the morally duplicitous figures who hold the public’s fascination.
Written and recorded in Montreal at Dany Laj’s Lala Pop Shoppe Studio, “Cornpone the King of Jive” boasts a raw, stomping sound that evolved from a fingerstyle acoustic tune into a monster rock anthem. Featuring Breau on vocals and guitar alongside Dany Laj, bassist Jeanette Dowling, and drummer Alex Pauze, the track delivers a snarling, frenetic arrangement punctuated by Breau and Laj’s dueling guitars.
The song’s title is an exploration of contradictions—Cornpone, representing the humble, southern comfort food, paired with the “King of Jive,” the smart, folksy figure who commands attention and stirs trouble. This contrast mirrors the moral complexity of populist figures, as Breau critiques their charismatic yet duplicitous nature.
Recording in Montreal with producer Dany Laj and his band mates was the most exciting thing, experiencing the vibe of the city while laying down tracks in a cool studio was the best.
Don’t be dependent on others but work in tandem with them to further your dreams. 3. Who would be your dream artist/band to co-headline a tour with?
It would be awesome to tour with the Oh Sees out of Souther California a mutual admiration society!
4. What sets your music apart from others in your genre?
What sets me apart perhaps is the care taken with the lyrics bringing together raunchy musical chops with a literary sensibility.
5. Tell us what your favourite song is at the moment and why.
My fave song right now is Bob Dylan Blues by Syd Barrett with the wonderful accompanying video a 3 minute tribute and mini bio sung with wit and gusto by Syd.
The song started out as a simple fingerstyle acoustic tune, but in the studio, it became a monster stomping rocker. Dany’s lead guitar playing really brought it to life, and I’m proud of how the arrangement turned out. – Edgar Breau
